Disney’s futuristic saga claims the top spot 40 years after the original, as “Roofman” and “One Battle After Another” round out a diverse October box office lineup.
Disney’s Tron: Ares raced to the top of the domestic box office this weekend, debuting with an estimated $33.5 million — enough to secure the No. 1 spot but below analysts’ projections of more than $40 million.
The third installment in the decades-spanning Tron franchise marks a significant moment for Disney, continuing a legacy that began over four decades ago. Despite its $180 million production budget, the sci-fi adventure fell short of the impressive momentum of Tron: Legacy (2010), which opened to about $65 million when adjusted for inflation.

Still, box office analysts highlighted the film’s cultural staying power.
“Let’s give Tron credit for being one of very few long-running franchises that can grab a No. 1 debut over 40 years after the first film,” said Paul Dergarabedian, senior media analyst at Comscore.
While the original Tron opened to $16.7 million in 1982 (about $52 million when adjusted for inflation), Ares outperformed its predecessor in audience appeal and franchise endurance — proving the digital realm still has a devoted following.
Coming in second place was Paramount Pictures’ “Roofman,” the dramatic retelling of Jeffrey Manchester’s 2004 prison escape and months-long hiding inside a Toys “R” Us. The film earned a solid $8 million, exceeding the genre’s typical $6.4 million average for character-driven comedies.
At No. 3, Warner Bros.’ “One Battle After Another” added $6.67 million, bringing its three-week total to $54 million — a steady run for the war drama. Following closely were Universal Pictures’ “Gabby’s Dollhouse: The Movie” at $3.35 million, and Sony’s “Soul on Fire” with $3 million.
Dergarabedian praised Gabby’s Dollhouse as “an unsung hero of the month,” citing its rare G-rated appeal in a market dominated by PG family fare.
October’s box office slate, while missing major blockbusters, has delivered a blend of genres — from prestige dramas to animated family films. Still, Dergarabedian noted that audiences “have to research and find the movies” that speak to them this season.
Looking ahead, Hollywood’s biggest releases — including Wicked: For Good (Nov. 21), Five Nights at Freddy’s 2 (Dec. 5), and Avatar: Fire and Ash (Dec. 19) — are expected to reignite the holiday movie rush.
For now, Tron: Ares stands as both a nostalgic nod and a futuristic leap — keeping the grid alive for a new generation of moviegoers.